Book Review: ‘Ijoriya’ (इजोरिया) by Subin Bhattarai

- Alaka Neupane

 Book Review: ‘Ijoriya’ by Subin Bhattarai


‘Ijoriya’ by Subin Bhattarai is an engaging novel that delves into the intricate lives of its characters set in the vibrant environment of Janakpur. The narrative introduces a diverse cast including Simrik, Ramila, Shankar Shireesh, Haridhwaj Mishra, Moti (the loyal dog), Raghunath, Thakur, Rambali, Kahawat Chacha, Fuwa (the nurturing figure), Mayadevi (Ramila’s mother), Bisanlal, Abhiyan, and Prashant who collectively weave a story rich in societal commentary.


The plot hooks readers with its suspense, particularly around the mysterious suicide of Shireesh, and keeps them engaged with numerous twists and turns. Ramila’s character embodies the struggles of a typical village woman, bound by the oppressive norms of a patriarchal society. Her life, dictated by her husband and father-in-law, highlights the harsh realities faced by many women. Ramila’s repeated pregnancies, driven by the familial desire for a male heir, underscore the relentless pressures of patriarchal expectations.


Shireesh portrayed as an introverted and mature individual, contrasts sharply with the extroverted and outspoken Simrik (her younger sister). Shireesh’s inability to seek justice through legal aspects, opting instead for suicide, reflects a tragic weakness despite her otherwise caring and understanding nature. Simrik, on the other hand, symbolizes defiance and courage, evident when she throws pebbles at her parents' room window in an act of rebellion.


Thakur’s character is a beacon of friendship and progressive thought. He transcends traditional gender roles by including Simrik in typically male activities, and his selfless support for Rambali’s education and Simrik during her first menstruation highlights his positive influence. Thakur’s mother is depicted as an independent and optimistic woman, further adding to the novel's portrayal of strong female characters touching upon modern nuances. 


Shankar embodies the oppressive force of patriarchy, exerting control over his household and failing to protect his wife from victimization. His insistence on a male child and his violent outbursts against Simrik illustrate the severe gender biases entrenched in society. Raghunath, although less overtly aggressive, still represents patriarchal dominance by avoiding confrontation and failing to stand up for what is right.


The second part of the novel explores Simrik’s tumultuous love life, particularly her relationship with Prashant, the student union leader. This subplot reveals themes of manipulation, betrayal, and the unpredictable nature of love. Simrik’s boldness shines through when she sets fire to Prashant’s wedding tent, an act that lands her in jail but underscores her fierce resistance against injustice.


The narrative also highlights Simrik’s struggles with intoxicants and her eventual decision against marriage, influenced by her memories of her mother’s oppression. Her courageous move to Biratnagar with her mother after uncovering the truth behind Shireesh’s suicide—rape and harassment by a relative—reveals the pervasive dangers women face even within their homes. Their failed legal battle, despite evident injustice, raises critical questions about societal trust in the judiciary.


The story’s depiction of Ramila’s newfound freedom in Biratnagar and her decision not to appeal the court’s verdict reflects a pervasive sense of disillusionment and the immense challenges faced by women in seeking justice due to technical aspects. The difference in Ramila's attitude to Shireesh's and Simrik's requests to leave the house demonstrates her realization and exhaustion while continuing to endure it.



Critique


One notable criticism of ‘Ijoriya’ is the lack of background information about the family’s origins. The story briefly mentions that they are ‘Pahadiya’ without delving into their migration to the Terai region, which could have added depth to the narrative. 


Overall, ‘Ijoriya’ is a compelling novel that vividly portrays the complexities of life in a patriarchal society, highlighting both the struggles and the resilience of its characters. Bhattarai's storytelling is engaging, though it could benefit from more detailed background context to enhance the readers’ understanding of the characters' cultural and geographical roots.


 

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